dedicated to improve the noise made by the rottt, certain questions are in discussion to be proposed as investigations in sound, setting and performance, especially during evening events such as the harsh noise conference :
a | how can a rottten sound be defined with less then two lines of text? b | is rottten noise simply unbearable or just a loop hole into a further sonic state of mind? c | is there any special quality in rottten noise besides bleeping circuits and feedbacking voice controlled interfaces, running wild in hullaballoo brawling bobbery while generating clamor hubbub confusion?
0 Responses to “rottt at the harsh noise conference berlin”